“Written in 1998, the Incomplete Manifesto is an articulation of statements exemplifying Bruce Mau’s beliefs, strategies and motivations. Collectively, they are how we approach every project.”
1. Allow events to change you.
You have to be willing to grow. Growth is different from something that happens to you. You produce it. You live it. The prerequisites for growth: the openness to experience events and the willingness to be changed by them.
2. Forget about good.
Good is a known quantity. Good is what we all agree on. Growth is not necessarily good. Growth is an exploration of unlit recesses that may or may not yield to our research. As long as you stick to good you’ll never have real growth.
3. Process is more important than outcome.
When the outcome drives the process we will only ever go to where we’ve already been. If process drives outcome we may not know where we’re going, but we will know we want to
4. Love your experiments (as you would an ugly child).
Joy is the engine of growth. Exploit the liberty in casting your work as beautiful experiments, iterations, attempts, trials, and errors. Take the long view and allow yourself the fun of failure every day.
plus 40 more here
the turn to motion images discussed at Drawn
‘is animation the future of illustration’ Micahel Dooley at imprint collected comments from the recent ICON6 illustrated conference such as this:-
Keith Robinson July 29, 2010 at 7:26 am
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“WHY SPEND THAT last year on getting a portfolio together for a job, when you could spend that year getting you ready for 10 years from now?” asks Paul Sahre.
Art school is your chance to spend some time learning about what you believe as well as what you can do.
Michael Dinges, interviewed recently in Hand Eye Magazine (‘Scratch the Surface’ Keith Recker, 2009) says:-
“In general, I’m interested in the technology and imagery of the mid 19th-century. When the industrial revolution was really rolling, people were migrating from the country to the city. This is the era Marx was reacting to and he was aware of the changing dynamic and resulting alienation between worker and task. This is the period where roles of labor and management were being set, and the environmental impact of industrialization began to be keenly felt. This was also the period in which Thoreau was writing, so these issues were in the air. This is when whaling was at its peak and with that efficiency of production came the eventual, near destruction, of the very resource that sustained us.
Alienation is a big issue for me in my work. I’m interested in asking both the viewer and myself about issues concerning our relationship with modernity. I want the viewer to ask himself or herself, when confronted with one of my altered computers, for example, “Is this what you wanted, is this the result you intended?” I intend this work to be a plea for mindfulness in the choices we make in our daily lives.”
This is a new zine I am setting up to do with folk art and how it inspires contemporary practice. If you would like to submit work please check out the info on the fb page
I am already overwhelmed by the talent going into issue one…thank you everyone who has expressed an interest and/or sent in work already.
Please email submissions to email@example.com by July 15th thank you x
Do you have an idea that uses fun to change behaviour? Enter now for the chance to win €2500. http://www.thefuntheory.com